Archive for June, 2010


CD Review: Kathryn Calder

Kathryn Calder
Are You My Mother?
File Under Music
by David Chiu

Best known as the keyboardist/singer in The New Pornographers, Canada’s Kathryn Calder steps out on her own with her winning solo debut. Those who have recently listened to the Pornographers’ most recent album Together can draw some parallels to Are You My Mother in that that the songs are bright-sounding, intricate and melodic (and there are also several Pornographers who appear on the record). But Are You My Mother is also a personal album drawn from the period in Calder’s life as she helped her terminally ill mother. In general the songs are very well-crafted from the up-beat sounding pop of “Castor and Pollux” and “Slip Away” through the intimate atmospheric balladry of “Low” and the spare “So Easily”; Calder also has a lovely singing voice. Are You My Mother? shows Calder standing tall and fine on her own.

CD Review: Distractions


Distractions
Distractions
Infinite Best Recordings
by David Chiu

The ’60s, garage rock, smoky clubs, free jazz, (early) Playboy, and the band Morphine comes to mind while listening to this new Chicago band’s debut album. It certainly evokes something of the past with its hazy, trippy music; yet it is distinctive and original enough to distinguish Distractions from their peers. The beginning of “All Night” echoes ? and the Mysterians’ “96 Tears”; “We Were Better Off in the Rain” pays homage to Phil Spector and the Brill Building; “My Gold” and “Please Slow Down” borders on the avant garde/lounge;and the drone noisy, experimental “Not Gonna Go Away.” The ominous vocals add to the music’s dreamy and atmospheric tone, not to mention the shimmering guitars. Distractions live up to their name: as it takes the listener to a different reality from his or her own–a journey worth taking.

All Night by Distractions.

CD Review: The Cure

The Cure
Disintegration
Elektra/Rhino
by David Chiu

Disintegration, the Cure’s 1990 album, could be seen as the bridge between the start of the group’s mainstream popularity with Kiss Me, Kiss Me, Kiss Me and critical mass appeal in Wish. But when you boil it down, this record was Robert Smith and Co.’s at their prime on a musical and aesthetic level where they still touched on themes of doom and gloom (the title track, “Prayers for Rain”), yet also offered moments of that can be interpreted as upbeat like on the wonderful “Pictures of You” and the romantic “Love Song” (the Cure’s biggest American hit); other memorable gems include “Lullaby” and “Fascination Street.” Celebrating its 20th anniversary, this deluxe reissue features an extra disc of demos, and another of live performances called Entreat Plus. Of the Cure’s long body of work–over 30 years and counting–Disintegration is definitely one of the essentials.

CD Review: Howard Jones

Howard Jones
Ordinary Heroes
by David Chiu

For those who haven’t listened to Howard Jones’ music say in almost the last 18 years, and only know the artist from his ’80s synthpop days, might be in for a shock with his latest record Ordinary Heroes. It’s a heartfelt work free of the gadgetry and predominant synths that have marked his hits, focusing more on Jones the singer-songwriter. Despite the conventional pop music arrangements, Jones’ usual sense of optimism in his lyrics hasn’t changed, especially on the very hopeful “Straight Ahead,” the bouncy and soulful “Collective Heartbeat,” and the encouraging “Fight On. There also some really poignant tunes on Ordinary Heroes as well such as “You Knew Us So Well,” a haunting song that touches on suicide. Ordinary Heroes could be Jones’ most introspective and intimate work yet, and a very affecting one at that.

courtesy of Northside

Brooklyn is the place to be this weekend for indie music where this year’s Northside Festival will take place starting Thursday through Sunday in parts of Williamsburg and Greenpoint.

One of the venues participating is Bar Matchless in Greenpoint where Microphone Memory Emotion founder/blogger Georgia Kral will curate a show on Friday on behalf of the blog Brooklyn Based. It will feature Bermuda Bonnie, Fluffy Lumbers, Coasting and Family Portrait.

NewBeats had a chance to speak with Kral to talk about how she got the opportunity to curate this showcase. View full article »

CD Review: Steve Winwood

Steve Winwood
Revolutions: The Very Best of Steve Winwood
Island/UME
By David Chiu

Other than a 1995 box set The Finer Things, there haven’t been many compilations that features both Steve Winwood’s solo tracks and his works with the Spencer Davis Group, Traffic and Blind Faith. That oversight has been remedied with this new 17-track anthology. It chronicles a very legendary and extraordinary career starting with the Spencer Davis Group (the classic “Gimme Some Lovin’” and I’m a Man”), through the psychedelic rock of Traffic (“Dear Mr. Fantasy,” “The Low Spark of High-Heeled Boys”) to the memorable supergroup Blind Faith (“Can’t Find My Way Home”). After Traffic broke up, Winwood’s solo career started in the late ‘70s and slowly blossomed (“While You See a Chance,” “Valerie”) before he broke through in the mid-‘80s with a series of pop-soul hits (“Higher Love,” “Roll With It”). These days Winwood’s current works fuses both the soul music of his solo career and Traffic’s classic sound (the more recent “Dirty City”); for Revolutions, he recorded a new version of “Spanish Dancer,” which was originally from Arc of a Diver. Revolutions is serviceable set and does a nice job, though fans would probably prefer a more comprehensive set (A 4-CD set is also available and differs from the single CD on a few tracks).

CD Review: Whitesnake


Whitesnake
Whitesnake
Geffen/UME
By David Chiu

Slowly building the hard rock/pop metal momentum that reached its height in the mid ‘80s, Whitesnake finally hit pay dirt with their self-titled 1987 album its sound on the album is typical of the arena rock era: lightning speed guitar, bombastic drumming, orchestral synths—with melodic hooks aplenty and David Coverdale’s gritty vocals. Whitesnake’s biggest hits, naturally, were the ballad “Is This Love” and the iconic rocker “Here I Go Again” (which is actually a remake from an earlier Whitesnake album). Those tracks alone stamped Whitesnake’s reputation forever, but there is also some perhaps overlooked songs from the album such as the heavy numbers “Still of the Night” and “Children of the Night,” and another power ballad “Looking for Love.” It may not impress those folks who look at the ‘80s as a period of excess—and the sound is over the top–but Whitesnake is an essential cornerstone work of the metal era. The DVD portion of the reissues features recent live performances of the some of the album’s tracks along with the famous videos of “Here I Go Again” and “Is This Love,” featuring Coverdale’s then-paramour Tawny Kitaen.

News: Northside Festival coming June 24-27

courtesy of Northside

For indie rock fans living in Brooklyn (sounds oxymoronic, doesn’t it?), you probably know about the upcoming The L Magazine’s Northside Festival held in Williamsburg and Greenpoint from June 24 to 27 at various venues. This year’s acts include ?uestlove, Au Revoir Simone, Cat Martino, WOOM, So So Glos, Real Estate, Harper Blynn, Les Savy Fav and many others. You can find the schedule of acts here.

As an added bonus, the festival is holding a contest in which one lucky winner can snag an iPad (who wouldn’t want that?) as well as opportunities to win a badge and a T-shirt. To enter, click here.

And a shameless plug here: my colleague Georgia Kral of Microphone Memory Emotion is curating a showcase at Bar Matchless as part of the fest on June 25:

Bar Matchless (557 Manhattan Avenue, Brooklyn)

Brooklyn Based presents (curated by Microphone Memory Emotion):

Family Portrait 11:15pm; Coasting 10:30pm; Fluffy Lumbers 9:45pm;Bermuda Bonnie 9pm

Doors at 8:30pm, $6, 21+

CD Review: Karen Elson

Karen Elson
The Ghost Who Walks
Third Man
By David Chiu

The track record of celebrities who decide to make an album is kind of spotty—Paris Hilton’s attempt at a singing career comes to mind. Brit Karen Elson, however, is a totally different exception. Known previously as a major fashion model, Elson turns in an exquisite, haunting collection of tunes drawing from old-timey American Southern/Gothic folk rock It certainly helps that her producer for The Ghost Who Walks is husband Jack White, but the true talent lies in Elson. Her understated lovely and soulful vocals project both the confidence of a seasoned pro and the influence of artists such as PJ Harvey and Mazzy Star’s Hope Sandoval whom she cited in her press bio. The songs’ styles and tone are varied–the loungey, trippy “Pretty Babies”; the exquisite country ballad “Lunasa”; the cabaret vibe of “100 Years From Now,” the country standout “Cruel Summer;” and a gentle twangy love song “The Last Laugh”—and the lyrics are very impressionistic and evocative. If this was something done by any other celeb who thinks that making a record would be “cool,” it would be seen as another lame vanity project. The Ghost Who Walks is certainly not that, but the emergence of a genuine, serious artist.

CD Review: Bon Jovi

Bon Jovi
Slippery When Wet: Special Edition
Lost Highway: Special Edition
Mercury/UME
By David Chiu

Yes, comparing Bon Jovi’s ‘80s pop metal heyday with their current mainstream rock and roll sound may seem like apples and oranges. Both are certainly of their respective eras—however, they share several things: accessible hooks, an arena rock feel, and a sense of celebration and unity that tends to draw people together rather than apart. Whether you agree or not, there’s no denying Bon Jovi ‘s popularity after nearly 30 years, whereas most of their contemporaries from the ‘80s have bitten the dust or are doing nostalgia package tours.

The New Jersey rockers’ back catalog was recently reissued as digipak Special Editions containing bonus tracks, new liner notes and a replica tour pass. It’s an excuse to look back at a remarkable career that has defied changing trends. Even detractors would have to acknowledge Jon Bon Jovi and company’s perseverance.

Slippery When Wet, the band’s third album, was the opus that made Bon Jovi superstars. It’s a pure classic in the pop metal vein of Def Leppard’s Hysteria and Whitensnake’s self-titled 1987: it’s brash, aggressive, and accessible (thanks to the presence of hit doctor Desmond Child). This album really ushered in the ascendancy of metal music on the pop charts in the late ‘80s thanks to classics “You Give Love a Bad Name,” “Livin’ on a Prayer” and “Wanted Dead or Alive.” But there are some underrated album tracks—among them the energetic “Wild In the Streets” and the power balladry of “Never Say Goodbye.” Slippery… is a fun record to listen to again and again to relive that period of tight spandex pants and long hair.

Flash forward 20 years later and it’s a naturally different shift in Bon Jovi’s music compared to before. Some people may lament that the group’s current sound doesn’t have that bombastic “oomph” from the ‘80s. But unlike other bands, Bon Jovi have shown a maturity and willingness to evolve musically and with grace. Lost Highway is a perfect example of that evolution. Recorded in Nashville, Lost Highway has a slight country music influence—no doubt inspired by the success of their country-fied hit “Who Says You Can’t Go Home” from their prior album Have a Nice Day. The melding of rock and roots somehow work especially on tracks like “We Got it Going On,” the title track and “The Last Night.” And the ballads—“(You Want to) Make a Memory” and “Till We Ain’t Strangers Anymore” -–come across as somewhat heartfelt rather than sappy. I haven’t’ listened to the group’s latest album The Circle, but this record certainly feels very personal and poignant (i.e. “One Step Closer”)

Other Bon Jovi Special Edition albums: Bon Jovi, 7800 degrees Fahrenheit, New Jersey, Keep the Faith, These Days, Crush, Bounce, Have a Nice Day.

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