From the New York Times...

 

 

 

 

One other thing of note: John Legend's name is almost like saying 'John Lennon.' And it is not that surprising since one was a great singer/songwriter with an amazing history; the other is a promising newcomer establishing his future and living up to his moniker. Although Kanye West's stamp is all over his protégé's debut album as executive producer, it doesn't mean John Legend can't be his own artist. And he succeeds in spades. Get Lifted is gospel-inflected neo-soul devoid of the 'playa hater,' 'bitches and ho's' attitude that is sometimes prevalent in the hip-hop genre. Against convention, Legend puts the music and the words before the beat and the rhymes, and the results sound like vintage '70s Marvin Gaye and Stevie Wonder. Legend's lyrics are mainly meditations on romance whether it's playful ("Alright," the sly, l'et's-keep-it-on-the-down-low' "She Don't Have to Know") or complicated and serious ("Ordinary Love," "Number One"). The majority of the album's tracks are ebullient and elegant (the title track, "Stay With You," "Refuge (When It's Cold Inside)") as they are thoughtful. The unique aspect of the material is that they don't sound like run of the mill pop or R&B hits (although almost all of them can be certified chart hits), but they are essentially spirituals (e.g. "It Don't Have to Change"). The aforementioned West, who also guest raps on "Number One," puts a smooth and elegant, almost cinematic touch on the album without the overbearing clutter; this gives Legend the room to croon all the way with his heart on his sleeve and seductive promises.

 

John Legend
Get Lifted
Getting Out Our Dreams/Sony Urban Music/Columbia
By David Chiu

 

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