From the New York Times...

 

 

Carolyn Hudson

Carolyn Hudson: Soulful, Sultry, and Sophisticated
By David Chiu

 

Carolyn Hudson moved to New York almost six years ago to make her mark as a singer. Whereas most people would see that as a logical step for her career, Hudson's other main motivation for going to the Big Apple was slightly more personal.

"I came here because I called off a wedding," the 37-year-old remembers via telephone from Los Angeles as she was over there for a brief stop. "I decided I wasn't in love with this man, and I literally ran away to New York. I knew [only] one person when I got there."

A heartbreaking moment like that might have proved devastating to most people, but Hudson channeled those feelings into her songwriting. Simultaneously the move to New York was a period of self-realization and a turning point.

"As I was in New York, I kept meeting artists, singers, musicians, and actors. And I was like God there's a whole life I don't know about. I became friends with these people and I asked, What am I doing and, quite frankly, bury my talent?"

That experiences as a transplanted New Yorker make up the songs on her debut self-released album Living in My Skin, which came out late last year on her own Box of Bees label. "There is nothing on the record that is fiction," she says. "Yeah it's all real life. It's about a certain period of my life right before I moved to New York. Most of the songs are about the five years before I moved to New York." Hudson also delves into the matter of her broken engagement on two tracks: Wrap around is the 'why' I left [my fiance] and Which One is she is 'how' I left him."

A strking blonde, Hudson performs soulful music for the adult alternative crowd. "From an industry perspective, people are saying an edgier Diana Krall," she responds when asked to draw a comparison. "And I agree with that somewhat. I would say sophisticated pop, rock, and jazz for mature ears exploring mature topics."

Hudson is positioning herself as an emerging artist to watch out for. It is a part of the musician spent a considerable time on the record-approximately nine months recording it-while also holding a marketing job for a consulting company. Hudson is at a point where is she not far away from devoting to her music full-time and being self-sufficient. "I am almost there-six months to a year from doing that. I just want to cut the ties and not be scared. I feel like if I didn't give this 110%, nothing's gonna happen."

Now that the record is out, Hudson is making the rounds performing in and around New York City, as well as meeting with industry people. Having a marketing background is certainly useful in the sometimes byzantine world of the record business. "Once the "product" had been created, now I'm into the next phase, which is promoting the record and making the record. One aspect of promotion is promoting it to the five majors. Certainly I would love to have help with the distribution. And I'm out of money. It took every last dime to release the record."

Hudson also knows a little thing or two about the publicity machine having worked in media relations for then-Senator Connie Mack of Florida. As it applies to her own situation as a singer seeking wide exposure for her music: "At the end of the day, I'm not naïve," she says. "I'm marketing a product. I see myself active in the promotion of any of my records."

Carolyn Hudson's arrival to where she is now started out simple as someone growing up in an artistically-inclined household in Fort Myers, Florida; both her parents were involved in the performing arts in the community. At several points, they had over at their house Marcel Marceau, Vincent Price, and the ballet company as if they were just part of a family. "There wasn't a day when my parents didn't have the stereo blasting," remembers Hudson.

During her adolescence, Hudson developed and formulated her tastes in music, especially from the decade of the singer/songwriter-those influences can be heard on Living in My Skin. "The '70s was my touchstone decade. Laura Nyro is to me such an icon of outstanding songwriting and just raw emotion when she sang. She didn't care at all wanting pretty; she wanted to express herself. She really didn't think she was making music; she thought she was communicating. That's what I kept going back to."

She developed a love for the theater early on and was involved with that; but she knew that over time, she would have to be practical about her career goals. "My parents said You will go to college and when you graduate, you will get a job. I knew I was always a writer and I knew there was a career in communications and public relations."

Now Hudson is on the opposite end of the media spectrum, going from the behind-the scenes-person to center stage. It's a positon that the singer-who have already performed at venues such as Tribeca Blues, the Village Underground, and the Bottom Line-relishes. She is not intimidated to playing in front of people who don't know who she is. "I love it," she says. "It's like, 'Bring it on.'"

The fruits of her labor came from a recent January date at Joe's Pub where Hudson played to a packed crowd, a rare occurrence for a newcomer. "I think it was my best performance," she says. "I really felt it was the culmination of four years of hard work writing the songs and finishing the record, and this was the pay off. It was always my dream to play Joe's Pub. The energy in the room-you could've heard a pin drop.

"It was the first time that not only was I fearless but I enjoyed myself where I felt comfortable enough with the material and the bandthat I actually had fun up there."

Hudson is not yet resting on her laurels. She plans to get out her music to a wider audience and is already planning the next record. She's gotten past those early experiences that made up Living in My Skin and is looking ahead. "I'm so done with it. I've had tons of therapy [since]. I'm just really excited about [writing] new topics and where I am today."

As for what she would like to leave with those listening to her music: "Just to make their day or moment a little easier or perhaps listening to one of the lyrics and they say, Ah ha, I've been feeling that way and I couldn't put it into words."

 

 c. 2005 The writings and ideas in this magazine, as well as NewBeats and NewBeats.com, are the sole absolute properties of David Chiu and NewBeats .com. Use of any of the material from and reference to the magazine and website is strictly prohibited without expressed written permission from the publisher.