From the New York Times...

 

 

 

 

 

Bebop came into its own in the ''40s and its main impetus came in the form of Charlie Parker, considered the greatest jazz saxophonist ever. His technique and almost virtuoso playing defined the genre-his playing gave the music a punchier, hard-hitting sound, and during the slow numbers poignancy. Parker recorded a lot of compositions and has appeared on more than one label, so this collection is certainly not the definitive statement of the man. However it does showcase his range when it comes to playing in a small jazz combo with greats like Dizzie Gillespie and Max Roach ("The Bird," "Bloomdido," and "Confirmation") or with a string orchestra ("Autumn in New York," "Just Friends"). The former shows his aggressive style on his own compositions. while the latter displays his stylistic range that demonstrates he could tackle the standards. Despite his tragic life, this Bird definitely soared and those who need a primer of his greatness should start here.

 

 

Charlie Parker
The Best of Charlie Parker-The Millennium Collection
Verve/Hip-O
By David Chiu

 

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