Category: Miscellaneous


With the melody and part of the lyrics lingering in my brain for many years, but didn’t know the song, I finally discovered the name of this song and the artist. Thanks to some Googling, it’s “Love in Siberia” by a ’80s Danish pop duo Laban, whose members consisted of singers Ivan Pedersen and Lecia Jonsson. According to Billboard, “Love in Siberia” peaked at number 88 on the pop singles charts in 1986. Here’s the video:

I do agree with one of the commenters on YouTube: the video really does suck. It makes no complete sense nor does it follow a coherent narrative. As for what happened to the members of Laban, who broke up in the late ’80s: according to Wikipedia, Ivan Pedersen still performs as a solo act; Jonsson has since followed a career as a jazz singer.

Noteworthy Albums of 2009


Not a complete list…but here are the ones that stood out to me so far:

(in no particular order)

Bruce Springsteen: Working on a Dream
Sharon Van Etten: Because I Was In Love
Orenda Fink: Ask the Night
The xx: xx
Gossip: Music For Men
Echo and the Bunnymen: The Fountain
Black Gold: Rush
Metric: Fantasies
Camera Obscura: My Maudlin Career
Neko Case: Middle Cyclone
Bob Dylan: Together Through Life

Noteworthy Reissues of 2009

1. The Beatles: Remasters (Capitol/EMI)
2. Daryl Hall and John Oates: Do What You Want, Be What You Are: The Music of Daryl Hall and John Oates (RCA/Legacy)
3. R.E.M.: Reckoning (IRS/UME)
4. Big Star: Keep An Eye on the Sky (Rhino)
5. The Feelies: Crazy Rhythms/The Good Earth (Bar None)
6. The Rolling Stones: Get Yer Ya Ya’s Out (ABKCO)
7. Duran Duran: Rio (Capitol/EMI)
8. King Crimson: In the Court of the Crimson King (DGM/Inner Knot)
9. The Jayhawks: Music From the North Country (American/Legacy)
10. Bee Gees: Odessa (Rhino)
11. George Harrison: Let It Roll: Songs by George Harrison (Dark Horse/Capitol/EMI)


Image: Amazon.com

1984

1. There’s No Stoppin’ Us by Ollie and Jerry
2. If This is It by Huey Lewis and the News
3. What In the Name of Love by Naked Eyes
4. When Doves Cry by Prince
5. Magic by the Cars
6. Lucky Star by Madonna
7. Infatuation by Rod Stewart
8. Doctor, Doctor by the Thompson Twins
9. You Take Me Up by the Thompson Twins
10. The Warrior by Scandal

1985

1. Some Like It Hot by the Power Station
2. Things Can Only Get Better by Howard Jones
3. Walking on Sunshine by Katrina and the Waves
4. Into the Groove by Madonna
5. Everything She Wants by Wham
6. Modern Girl by Meatloaf
7. Let Him Go by Animotion
8. Would I Lie To You by Eurythmics

1986

1. Something About You by Level 42
2. Vienna Calling by Falco
3. Is It Love by Mr. Mister
4. The Edge of Heaven by Wham
5. When the Heart Rules the Mind by GTR
6. Glory of Love by Peter Cetera
7. Hyperactive by Robert Palmer
8. One Hit to the Body by the Rolling Stones
9. Nothing at All by Heart
10. Sledgehammer by Peter Gabriel
11. Press by Paul McCartney
12. Touch and Go by Emerson, Lake and Powell

1. “She’s a Beauty” by The Tubes
2. “Affair of the Heart” by Rick Springfield
3. “Love’s Got a Line on You” by Scandal
4. “Is There Something I Should Know” by Duran Duran
5. “Too Shy” by Kajagoogoo
6. “Little Red Corvette” by Prince
7. “Maniac” by Michael Sembello
8. “(Keep Feeling) Fascination” by The Human League
9. “Time (Clock of The Heart)” by Culture Club

“If a bullet should enter by brain, let that bullet destroy every closet door.”
Harvey Milk

Today in America it’s not unusual for a gay man or a lesbian to hold public office. Among them include Congressman Barney Frank of Massachusetts, New York City Council Speaker Christine Quinn, and New York State Senator Thomas Duane. But years ago that idea seemed unfathomable.

That was the status quo…until Harvey Milk changed everything. In 1977, Milk was elected to the San Francisco Board of Supervisors and became the first openly gay person to do so. However Milk’s life and that of Mayor George Moscone ended on Nov. 27, 1978, when both men were assassinated by former supervisor Dan White.

The story of Milk and the San Francisco gay rights movement is told in the documentary film “The Times of Harvey Milk.” Released 25 years ago, it is one of the greatest documentaries ever. Thankfully this Oscar-winning movie is now available in its entirey both on YouTube and Hulu. It is must-see viewing for everybody, especially for those who have only seen last year’s Gus Van Sant-directed dramatization “Milk,” for which Sean Penn won an Academy Award for his portrayal of the slain supervisor.

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As part of NewBeats.com’s 10th anniversary, which is official this month, here is an old interview with musician Amy Farris.

Not Just the Fiddle Player Anymore: Amy Farris
by David Chiu
Had you not known that Amy Farris was a singer and violinist, you could have sworn she was a silent screen actress or the It Girl of the Roaring ’20s. Her distinctive photogenic face makes her a shoe-in as a Hollywood starlet. It’s something that this native of Austin Texas and current Los Angeles resident would consider as a possible career.

“I would get the biggest kick out of that,” says the effusive artist on a Sunday afternoon on holiday back in Austin. “That’s something I would like to look into since I’m living in Los Angeles. I think I’d like to be a corpse on Law and Order, or anything. When I was growing up, I used to say, “Daddy, what should I be?” And he would never tell me what he thought until I was 22. He goes, “I think you should be an actress.” And I was like, “Why didn’t you tell me earlier?”"But that is for another time as Farris right now is making name for herself as a musician. After spending the last couple of years as the fiddle-playing sideman (sidewoman to be politically correct) for Kelly Willis, Alejandro Escovedo, Ray Price, and Bruce Robison, Farris recorded and released her debut Anyway (Yep Roc). In order to do so, Farris moved out from Austin to Los Angeles-prior to that, she’s never lived anywhere outside of the Lone Star State.

“Moving to LA has been a huge adventure,” she remembers. “A lot of people have been kind to me so I had a lot of help. I’ve been out there a year and I’m only beginning to comprehend that city. I’m trying to figure out what the deal is, if that’s possible.” View full article »


Studio Albums

Feist—The Reminder
Dean and Britta—Back Numbers
Greta Gertler—Edible Restaurant
Paul McCartney—Memory Almost Full
Once soundtrack
Rilo Kiley—Under the Blacklight
John Fogerty—Revival
Spoon—Ga Ga Ga Ga Ga

Reissues

Genesis
—A Trick of the Tail, Duke, Genesis
Moby Grape—Listen My Friends! The Best of Moby Grape
Pylon—Gyrate Plus
Pink Floyd—The Piper at the Gates of Dawn
The Traveling Wilburys —Vol. 1 and 3
Joy Division—Closer
Elvis Costello—My Aim is True
Bob Dylan—The Other Side of the Mirror DVD
Alan Parsons Project—I Robot
Nirvana— Unplugged in New York DVD

Interview: Fiction Plane

Fiction Plane
By David Chiu

Joe Sumner, singer and bassist for the band Fiction Plane, might be one of those rare young musicians who wrote a rock song about, of all things, nepotism, as he does on “Running the Country.” You can say he has some first-hand knowledge of the subject since he is the son of the Police’s legendary vocalist Sting.

“I just wanted to get straight into it and figuring my own position out,” said the 30-year-old about that song from his band’s latest album Left Side of the Brain. “[“Running the Country”] is just about having a look at it.”

The attention on Sumner as the son of a famous rock star is something he’ll continue to deal with now that Fiction Plane is currently on tour opening for the reunited Police. Both bands are scheduled to perform at Madison Square Garden on August 1 and 3, and Giants Stadium on August 5. Around that same time, Fiction Plane will also headline a concert at the Bowery Ballroom on Aug. 2.

Initially Sumner had some reservations about being invited to open for the Police. “We didn’t have an album out—we didn’t have anything out [at the time],” he explained. “It was going to be really embarrassing. But then we said yes…because you just can’t say no. It was impossible.”

Sumner needn’t worry about having lack of songs to play live since he, drummer Pete Wilhoit and guitarist Seton Daunt did release Left Side of the Brain this past spring. Upon hearing Fiction Plane’s music, it is impossible not to draw some similarities between them and the Police: Both trio bands incorporate elements of reggae, funk and pop in their music; and Sumner’s singing at times sounds uncannily like Sting’s. But Fiction Plane’s music is heavier and more aggressive.

“Someone the other day described it as Sublime meets Mars Volta, which I’m happy with,” Sumner said about his band’s sound. “We kind of just go wherever we want. That’s what defines us for me—we got freedom to do whatever we want.”

And just like his father, who was the chief songwriter in the Police, Sumner is in charge of writing Fiction Plane’s introspective lyrics. They range from relationships on the catchy “Two Sisters,” to the anti-war sentiment of “Death Machine.” Sumner draws inspiration for his songs from his personal experiences and literature: “I kind of like to look at my personal situations and then look at things, like world politics and stuff like that, and make connections.”

The son of the aforementioned Sting and his first wife Frances Tomelty, Joe was listening to bands as diverse as Madness and Nirvana. He wanted to become a musician around the age of 15 as he got tired of school. Sting offered his son a piece of advice. “He basically told me to learn at least some theory,” said Sumner, “and not be a total grunge hack, which is useful in the end actually.”

Sumner and original bassist Dan Brown formed Fiction Plane in London with guitarist Daunt and drummer Wilhoit joining in later. The band had released the debut album, Everything Will Never Be OK in 2003 on a major label, but subsequent record company problems left a follow-up recording in limbo. Then Brown departed, and Sumner took his place by switching from guitar to bass. “We didn’t kind of falter at all, we just kept going,” he said of that period.

Finally Fiction Plane’s Left Side of the Brain was released this May on Bieler Bros. Records. Sumner said that the band is proud of this new album, which represents a new start for them. “On this record, we had no such [record company guy] interference,” he said, “and we just came into our own. That’s why I prefer it personally and I think it will translate a lot better. It’s just really from us.”

Sumner doesn’t seem intimidated by the idea of playing on a big stage especially for this blockbuster Police tour. “Most of the pressure I feel is from bass player fanatics who know all kinds of technical stuff,” he explained. “I definitely feel that pressure a little bit, but I kind of don’t care. The live performances don’t really faze me at all. It doesn’t matter if we are playing in a pub or in a stadium—it’s kind of the same to me.”

Fiction Plane is playing on Aug. 2 at the Bowery Ballroom, NYC. For information, visit www.fictionplane.com

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