Archive for April, 2010


CD Review: Arcadia

Arcadia
So Red the Rose
Capitol/EMI
by David Chiu

When Duran Duran went on a brief hiatus in 1985, it split into two offshoot groups: the Power Station (John Taylor and Andy Taylor) and Arcadia (Simon LeBon, Nick Rhodes and Roger Taylor). Of the two, Arcadia came close to sounding more like the parent group than the hard rock/funk Power Station through its slick synthpop sound and arty lyrics. Arcadia’s only album, So Red the Rose, which has just been reissued, is an underrated gem–All Music Guide’s Kelvin Hayes appropriately called it “the best album Duran never made.” The intro of “Election Day,” the album’s only major U.S. hit single, is divine, and is followed by some other strong tracks such as “The Flame” (the 7-inch single eclipses the original album version) and the funky “Goodbye Is Forever.” So Red the Rose also indulges into some avant garde (progressive pop) sounds such as the ethereal ballad “Missing,” “Lady Ice” and “El Diablo.” The uniqueness of the album is marked by the guest appearances of Herbie Hancock, Sting, Pink Floyd guitarist David Gilmour and Grace Jones. There is more to Arcadia and So Red the Rose than just being anomalies in the history of Duran Duran. This new edition of the album, which turns 25 this year, also contains a wealth of remixes, alternate versions of songs as well as a DVD containing the singles’ videos.

Features: The Willowz

(photo by Olivia Malone)

The Willowz: Driving Rock Music That Makes an Impression

By David Chiu

How resonant is the music of California rock band the Willowz?  A fan, who recently attended a Willowz gig in Los Angeles, had the lyrics of their song, “Making Certain,” tattooed on his chest!

“I was in shock,” says Willowz singer, guitarist and co-founder Richie James Follin. “It was a large tattoo.”

Adds fellow Willowz bassist and co-founder Jessica Reynoza: “I met that dude. Pretty awesome. It reminded me of that Slayer album where ‘slayer’ is carved into someone’s arm. I got a friend who has the word ‘poop’ tattooed on her butt, so I wasn’t shocked if that is what your asking.”

That fan’s unusual but touching gesture confirms the effect that the group’s music has on him and perhaps others. You can hear that on their latest album, Everyone, which pays homage to rock’s past: the Rolling Stones, Iggy and the Stooges, and Tom Petty and the Heartbreakers are some examples. It’s traditional rock in one sense and yet it also has some contemporary credibility that will appeal to indie music fans. Follin’s emotive vocals and an arsenal of bombastic drums, urgent bass and shimmering guitar mark the bold sound. (Also, the entire album clocks just less than 30 minutes). View full article »

CD Review: Judas Priest


Judas Priest
British Steel: 30th Anniversary Edition
Columbia/Legacy
By David Chiu

Judas Priest’s 1980 album British Steel celebrates a special milestone this year. Even 30 years on its music on still sounds rip-roaring and alive. Yet British Steel has enough accessibility and appeal for those who are not necessarily be fans of Priest or this kind of fast heavy metal, especially from tracks such as “Living After Midnight” and the anthemic “United” But for the most part, the album lays down brutish and punishing tunes from the punk-ish “Rapid Fire” to the brutal slab of “Grinder.” (Even Priest handles some funk on “Metal Gods”). Rob Halford’s sinister vocals and Glenn Tipton and K.K. Downing’s guitars highlight the record. This reissue also adds a DVD from a 2009 live concert in which the band performs the entire British Steel album with additional songs, including their cover of Joan Baez’s “Diamonds and Rust” and “The Ripper.” (The deluxe edition also features a CD of those live tracks).

CD Review: Peter Wolf

Peter Wolf
Midnight Souvenirs
Verve Forecast
by David Chiu

Former J. Geils Band frontman Peter Wolf puts out a stunning work following up his 2002 Sleepless album. Rooted in the blues, folk, country and traditional R&B, Midnight Souvenirs is a heartfelt work distinguished by heartfelt lyrics and Wolf’s signature soul man persona. The lyrics runs the gamut of emotions: romantic angst and regret are conveyed on tracks such as It’s “Too Late For Me” and “Tragedy”–(featuring duets with Merle Haggard and Shelby Lynne respectively); longing on “Watch Her Move” and “Always Asking For You.” Yet there are also glimmer of hope on the powerful and moving “There’s Still Time” and tenderness like on the beautiful ballad “The Green Fields of Summer” (with Neko Case); and the very romantic “Overnight Lows” showcases the singer’s signature rapping. As Wolf’s best effort yet, Midnight Souvenirs is a stirring piece of work that’s heavy on the soul and with heart.

CD Review: Carole King

Carole King
The Essential Carole King
Ode/Epic/Legacy
By David Chiu

Carole King’s best work have been the subject of previous compilations before but this latest Essential collection is unique: Not only does it packages her best career-spanning work as a performer, but it also contains the original recordings of her best-loved songs recorded by other artists. (And the release comes on the heels of her current tour with James Taylor). There is no questioning King’s solo music will always be forever associated with the massively-popular Tapestry (1971), whose songs “I Feel the Earth Move,” “It’s Too Late,” “So Far Away” are on this set. That album is arguably a best-of in itself. Still that shouldn’t overshadow some of the lesser-known pre- and post- Tapestry tracks, and even King’s most recent tracks like “You Can Do Anything” and “Now and Forever” continues the introspection and warmth that her music always brings.

The second disc contains the great music that she mainly co-wrote with then-partner Gerry Goffin that has been recorded by other artists. It’s a time capsule of the best in ‘60s pop music: Little Eva’s “The Locomotion,” the Chiffons’ “One Fine Day,” the Shirelles’ “Will You Love Me Tomorrow” and Aretha Franklin’s “You Make Me Feel Like a Natural Woman.” (The absence of Herman Heremits’ “I’m Into Something Good” is a minor quibble). For now, what this entire set accomplishes is showcasing the breadth of this remarkable artist’s musical talent whether it is for herself or others.

CD Review: Imelda May


Imelda May
Love Tattoo
Verve Forecast
by David Chiu

Irish singer and bodhran player Imelda May is a throwback to several past musical styles: ’50s and ’60s rock and pop, swing, jazz and rhythm and blues. They are all on her full-length album Love Tattoo (which had been already released overseas two years ago, before making its American debut last year). May is a tremendous singer who can be very feisty in one song (the jazzy, big band sound of “Johnny Got a Room” and “Smokers Song,” and torchy and tender in the other (“Meet You at the Moon,” “Knock 123″). In between are some nodsto the past: the intro “Wild About My Lovin’” is reminiscent of the Beatles’ “Doctor Robert,” while the rest of the song sounds like vintage Nancy Sinatra; and the title track could’ve been a classic Elvis tune. May delivers a terffic performance as well as her band. For fans of the old school, traditional pop, music, Love Tattoo will knock you out.

CD Review: Goldfrapp


Goldfrapp
Head First
Mute
by David Chiu

I just want to say that Head First is one of the cleverest album titles I’ve come across in a long while. And it kind speaks for the sentiment of Goldfrapp’s latest album: a very sexy and thrilling journey. Following the British duo’s somewhat reflective album Seventh Tree, Head First is a return to the catchy electropop of 2005′s Supernatural. Highlighted by Alison Goldfrapp’s luscious vocals and Will Gregory’s soundscapes, the album is an energetic rush of dance beats, synths and melodies that would make both Giorgio Moroder and ABBA proud. “Rocket” and “Alive” are just some of the razzle dazzle tracks; the Gothic-sounding “Dreaming” lives up to its name. It’s hard not to be caught up in Head First’s energetic and infectious rush; just let yourself loose and enjoy the ride.

As NewBeats turned 11 this month, here is an interview from the archives: David J of Bahaus and Love and Rockets, circa 2003.

The Estranged World of David J
by David Chiu

Any fan of modern rock, especially Goth, for the last 25 years will certainly know who David J is. The artist first made a name for himself as the founding member of the legendary, influential band Bauhaus of the early ’80s, and then later as one third of Love and Rockets. The former band achieved cult status while the latter netted a huge commercial pop hit (1989′s “So Alive”).

The British bassist and vocalist has also forged his own solo career throughout the ’80s and ’90s (Songs from Another Season, On Glass, Etiquette of Violence). Now David J has returned with his latest solo record called Estranged. Inspired by the breakup with his partner, Estranged might sound somewhat surprising to those expecting something abrasive or Goth emblematic of his past. Estranged is an atmospheric, intimate spare album with David J singing in a deadpan manner. Combining both elements of folk and country (reflected on tracks like “Mess Up,” Time in the Sun”), J’s album evokes a sense of beauty even during moments of melancholy and darkness (some things never change). J even covers an old ’70s standby Bread’s “The Guitar Man” with some soaring guitar lines by Dave Navarro and American Music Club’s Bruce Kaphin.

Born David J. Haskins, the artist made his mark in music back in 1978 when he, drummer Kevin Haskins, guitarist Daniel Ash, and vocalist Peter Murphy formed Bahaus. Their sound inaugurated the Goth post-punk movement, which would prove influential and imitated for years to come. Their most famous single was “Bela Lugosi’s Dead” followed by a hit remake of David Bowie’s Ziggy Stardust. After the group broke up, David J, Kevin Haskins, and Daniel Ash formed Love and Rockets. Streamlining their sound without the doomy trappings, Love and Rockets scored a huge hit “So Alive” in the late ’80s and recorded several subsequent albums.

Things recently have come full circle for David J. In 1998, Bauhaus reformed and toured to much acclaim, proving their legend is still alive. J was also making his own music-Estranged was recorded three years ago but was temporarily shelved for release due to the usual label and legal matters. To finance the record, J sold his old Bauhaus memoribillia on eBay. It eventually turned out to be a good deal for both J and the fans.

Now with this latest solo album, David J is taking his act on the road. Here, he talks about the new album, his past, and future plans. View full article »


Phish: The Biography
By Parke Puterbaugh
DaCapo
Review by David Chiu

Not being a fan of the famous Vermont band, I originally thought when I heard about this book: Why a biography about Phish? The band members never struck me as the types of band who led a glamorous rock and roll lifestyle, which is usually the reason why such books exist. To me, Phish is a band that was known for its trippy music, live performances and huge following. They were never flamboyant—maybe except to their rabid fans—and were more loose and cerebral musically than their peers.

Obviously author Parke Puterbaugh and Phish’s loyal fans knew something that I obviously didn’t through this book: Phish’s life story is quite fascinating. View full article »

(photo by Bill Zelman)

Download “Falling from the Sun” from the Album Leaf’s recent album A Chorus of Storytellers (Sub Pop). Fronted by Jimmy LaValle, the Album Leaf are scheduled to play at the Bowery Ballroom on May 1 with opening act Sea Wolf.

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